

The next shot pans up to a statue of a skeleton with angel wings. Angels have religious connotations but the skeleton has negative connotations; the two images juxtapose, keeping the audience engaged. Skeletons are often associated with death and morality. Both images are two different ideas of morality. The dark colour palette used fits well with the shots as the colour grey is associated with depression and loss, maintaining the theme of death.

The wide establishing shot (aerial shot) instantly sets the scene and appears to be quite sinister. A light turns on, the fact that the surrounding is in moonlight, shows that there is life but further sparks enigma, the audience want to know who lives in the house. The fact we only see a silhouette keeps the audience engaged. There is then a quick cut to a mans hand lighting the stove. The man appears to e old, it suggests vulnerability. Also he is alone which further emphasizes the fact that he may be in danger.

The characters costume emphasises his age and once again the colour of his clothes are dull. The character has to use a torch in order to see. The fact he shines it at the camera heightens the darkness around. The mid-shot of the character reveals what the character looks like, he fact he is to the right of camera, shows the scene in the background (the graveyard). The low angle shots of the snake contrasts with the shots of the man, it suggests the snake has more power than the man further implying that when he enters the house, he will be in danger.
The non-diegetic sound of the orchestra builds up the dramatic tension, setting up the audience for what is to come. When the snake appears the music alters slightly to have a more magical theme but then builds up again to exaggerate the fact that the snake is perhaps a threat to the main character.
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